Learning Outcomes |
On successful completion of this module the learner will be able to: |
LO1 |
Perceive and identify key harmonic, textural and formal elements in a musical extract and contextualise them in a musical style. |
LO2 |
Sightread, perform and memorise a range of songs and ensemble pieces. |
LO3 |
Write in strict counterpoint in major and minor modes in three parts, adding a number of voice
parts to a cantus firmus |
LO4 |
Recognise a full range of musical instruments and their typical use in combination. |
LO5 |
Describe the relationship between an instrument's structure and its tone and range. |
Pre-requisite learning |
Module Recommendations
This is prior learning (or a practical skill) that is strongly recommended before enrolment in this module. You may enrol in this module if you have not acquired the recommended learning but you will have considerable difficulty in passing (i.e. achieving the learning outcomes of) the module. While the prior learning is expressed as named MTU module(s) it also allows for learning (in another module or modules) which is equivalent to the learning specified in the named module(s).
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Core Musicianship Skills 2 |
Incompatible Modules
These are modules which have learning outcomes that are too similar to the learning outcomes of this module. You may not earn additional credit for the same learning and therefore you may not enrol in this module if you have successfully completed any modules in the incompatible list. |
No incompatible modules listed |
Co-requisite Modules
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No Co-requisite modules listed |
Requirements
This is prior learning (or a practical skill) that is mandatory before enrolment in this module is allowed. You may not enrol on this module if you have not acquired the learning specified in this section.
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No requirements listed |
Recommended Book Resources |
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- Bowman, David and PaulTerry 1993, Aural Matters, ED 12430 Ed., Schott London [ISBN: 0 946535 22 1]
- Cutts, Alan, Course manual, available from the lecturer
- Schubert, Peter 2007, Modal Counterpoint, Renaissance Style, 2nd Ed. Ed., Oxford University Press USA [ISBN: 0195331]
- Piston, Walter 1984, Counterpoint, Victor Gollancz Ltd London
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Supplementary Book Resources |
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- Jersild, Jorgen 1980, Advanced Rhythmic Studies - Polyrhythmic, Chester Music London [ISBN: NA]
- Pratt, George 1998, Aural Awareness, OUP Oxford [ISBN: 019879021X]
- Wade-Matthews, Max 2002, Music, An Illustrated History, Anness Publishing London [ISBN: 1-84309-210-7]
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This module does not have any article/paper resources |
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Other Resources |
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- n/a: Tuning fork A 440
- website: Andrew Hugill with the Philharmonia OrchestraThe Orchestra: A Users Manual
- website: Choral Public Domain Library
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