| Pre-requisite learning |
Module Recommendations
This is prior learning (or a practical skill) that is strongly recommended before enrolment in this module. You may enrol in this module if you have not acquired the recommended learning but you will have considerable difficulty in passing (i.e. achieving the learning outcomes of) the module. While the prior learning is expressed as named CIT module(s) it also allows for learning (in another module or modules) which is equivalent to the learning specified in the named module(s). |
| No recommendations listed |
Incompatible Modules
These are modules which have learning outcomes that are too similar to the learning outcomes of this module. You may not earn additional credit for the same learning and therefore you may not enrol in this module if you have successfully completed any modules in the incompatible list. |
| No incompatible modules listed |
Co-requisite Modules
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| No Co-requisite modules listed |
Requirements
This is prior learning (or a practical skill) that is mandatory before enrolment in this module is allowed. You may not enrol on this module if you have not acquired the learning specified in this section.
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| No requirements listed |
Co-requisites
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| No Co Requisites listed |
| Recommended Book Resources |
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- The Wire 2002, Undercurrents: The Hidden Wiring of Modern Music, edited by Rob Young, Bloomsbury Academic [ISBN: 9780826464507]
- Christoph Cox, Daniel Warner (Eds.) 2004, Audio Culture: Readings in Modern Music, Continuum [ISBN: 9780826416155]
- Larry Sider (Ed.) 2003, Soundscape: The School of Sound Lectures 1998-2001, Wallflower Press [ISBN: 1903364590]
- Brandon LaBelle 2015, Background Noise: Perspectives on Sound Art, 2nd revised Ed., Bloomsbury Academic [ISBN: 1628923520]
- Robin Beauchamp 2013, Designing Sound for Animation, 2nd Ed., CRC Press [ISBN: 0240824989]
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| This module does not have any article/paper resources |
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| This module does not have any other resources |
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